Monday 1 July 2019

Thamaasha’ celebrates imperfections and that is no laughing matter


There is no stopping Vinay Fort in this entertainer twhich opens the career of Ashraf Hamza and has its heart in the right place

By Mythily Ramachandran


Remakes come with the burden of living upto the original. Comparisons are inevitable between the two and many a time, remakes fall short of expectations. 

Malayalam film ‘Thamaasha’ wins hearts with its adaptation of Kannada film, ‘Ondu Motteya Kathe’ that was directed by Raj B Shetty. 
Written and directed by debutant Ashraf Hamza, ‘Thamaasha’ surpasses the original with its seamless narration and lifted high by terrific acting. As curtains come down, jokes apart, ‘Thamaasha’ works its magic on the audience.



‘Thamaasha’ follows Srinivasan (Vinay Fort)- a Malayalam language professor- who at 31 years is still looking out for a bride but is rejected on account of his baldness.  Quite frustrated with his family’s concern, he decides not to go the traditional way of matrimony alliances anymore. Instead he wants to try his luck by bonding with three women he meets -  his colleague Babita (Divya Prabha); Safiya (Grace Antony) who comes into his life through a chance encounter and Chinnu, (Chinnu Chandini), a young woman very much comfortable in her Plus size. 

Grace Antony as Safiya 


Ashraf Hamza’s writing is too good. Creating every character with utmost care he makes them distinct and real. What I loved is his sketch of the three women-Babita, Safiya and Chinnu and giving enough space to each. They may have their human failings yet bring in an air of positivity to their scenes. Of course Chinnu who demonstrates her ability to take in her stride the body shaming ridicule she encounters makes viewers reflect on the lens through which society views and accepts us. It is Chinnu who nudges Sreenivasan to rethink. 

Divyaprabha's Babita teacher is a picture of poise


Hamza’s narration is seamless unlike in ‘Ondu Motteya Kathe’ where the narration staggered with Rajkumar’s songs that were played in to reflect the protagonist Janardhan’s state of mind. Hindering the flow further were dialogues that denoted Janardhan’s loud thinking. It was a wise decision to do away with these two aspects in ‘Thamaasha.’


Vinay Fort with Chinnu Chandini 


In ‘Ondu Motteya Kathe’ the characters appeared more cinematic but in ‘Thamaasha,’ every actor brought alive his character with an unmatched spontaneity. Vinay Fort clearly carries the film on his shoulders. As Sreenivasan, he is completely believable and his body language, bring out Sreenivasan’s insecurities perfectly. Raj B Shetty’s Janardhan was timid and unsure of himself unlike Sreenivasan, who is more spirited. Playing the perfect tango opposite Fort is Chinnu Chandini, while Divya Prabha and Grace Antony match steps very well. 


‘Thamaasha’s other strength is the friendship between Sreenivasan and Rahim (Navas Vallikkunnu)-a sub-staff at his college. There is more depth to this friendship than in the Kannada story. Hamza has given Rahim more space and Vallikkunnu is spot on every time.  

Anil Kurian who plays Sreenivasan’s younger brother cannot be forgotten either. While remaining in the background, his role is one to reckon with.

‘Thamaasha’ with its clean humour keeps you chuckling and will make you ponder too.



‘Unda’ brings back the Mammootty we adore

By Mythily Ramachandran





What is the fate of a contingent of Kerala policemen who have been deployed to Chattisgarh (Madhya Pradesh)-a Maoist dominated area- to assist the Indo-Tibetan Border Police (ITBP) during election time?

Director Khalid Rahman who won hearts on debut with ‘Anuraga Karikkin Vellam’ returns with his sophomore film, ‘Unda,’ (Bullet). Loaded with good humour ‘Unda’ fires a couple of shots at the Indian political system and its police department while entertaining with its slice of life moments.

Mammootty has played several policeman roles, but his Sub-Inspector Manikandan in ‘Unda’ is an antithesis to all the earlier characters. Mani, the leader of the unit is more real. Neither is he burdened with a larger than life image. Don’t miss Mammootty’s introduction scene-there is no loud music though!



 If Mani and his group of policemen had set out on this assignment with pride and the feel of a picnic outing, they confront a different  ground reality at Chattisgarh.  They soon realize how ill-equipped they were-bullets that can be counted and poor safety gear-to tackle a Maoist ambush. From their polling booth located in the wilderness with underground mines hidden, ensuring a fair election was no easy task. Despite being in the police force, many of them had never handled a rifle or even fired one. Mani who gives instructions to his subordinates on how to shoot, confesses that he has never tracked a thief or caught a murderer.

Mani sends word to his office in Kerala for reinforcement of bullets.  Will the ‘unda’ arrive in time before the elections? That is the big question.

There are no romantic moments in ‘Unda,’ yet many moments touch you while it explores personal stories through some characters. Jojo (Shine Tom Chacko) is a domineering team leader, whose wife has filed for a divorce; Girish (Arjun Ashokan) is missing his wedding preparations being planned back home; Biju (Lukman) a first generation policeman from a tribal background is the butt of jokes. We also learn a bit about Mani’s family-his wife played by Tamil actress, Easwari Rao in a cameo.

‘Unda’ brings back the Mammootty we have always admired. It’s sheer delight watching the veteran in full form. Mani’s concern for his juniors; his sympathy for the villager Kunalchand, (Omkar Das Manipuri of ‘Peepli Live); his apology to his subordinates for not rising to the occasion during the Maoist attack one night, make Mani endearing. 

Another pleasure was watching director Ranjith in a brief role. With his spontaneous performance he leaves a mark. ‘Unda’ is complemented by a talented cast-Shine Tom Chacko, Lukman,
Bhagwan Tiwari-as Kapil Dev-an ITBP and Chien Ho Liao, the ITBP officer.
Prashanth Pillai’s lilting music blends well with the raw environment of Madhya Pradesh.

During the salvo of shots that Mani and team fire to safeguard their booth, ‘Unda’ raises the question- ‘Who is the real enemy to a fair election?