‘Joseph’ a medical thriller that leaves you stunned

By Mythily Ramachandran

Director M. Padmakumar reveals a different facet of actor Joju 

George in this family drama

 

Joju George in the titular role is unforgettable. The actor-producer who has until now played comic roles and characters with negative shades proves that a good story does not need a star or a larger than life character to hold it up. With his understated performance, George is terrific.

Joseph (Joju George) may have retired from the police service yet is often called back for consultation by his seniors to crack a difficult case. As soon as the film begins, we learn about his Sherlock Holmes observation skills. Joseph despite downing a few drinks is alert as he surveys the scene of crime-a double murder in this case of an elderly couple-and solves the case in a surprisingly short time and without much fuss.

But his personal life is a tragedy. Joseph’s life is empty just like his home. His wife Stella and their only child, Diana are no longer with him. Written by Shahi Kabir and directed by M. Padmakumar, the story shifts between the past and the present.

Joseph’s tragedy is compounded further by the accidental death of a close one. Joseph discerning eye pushes him onto another investigative journey that brings to opens up a medical scam.

‘Joseph’ is a well written narrative with a screenplay that keeps you engrossed. It’s neatly sketched ordinary characters brought onscreen with natural performances by the actors leave you feeling sad when curtains come down. 

George dominates the story with his understated acting. This policeman is a far cry from the cruel policeman of ‘Nyan Mary Kutty’ or the friendly cop of ‘Poomaram.’ His two portrayal of Joseph is laudable-the young Joseph in love and the man drowned in sorrow are poles apart. George as the retired officer who finds refuge in the bottle carries a lazy swagger and a disinterested gaze in his eyes.

Another surprise is actor-director Dileesh Pothan. He is Peter, whom Stella marries after leaving Joseph. Pothan who was last seen in ‘Drama,’ as the loud talking funeral agent Dixon takes on a character who barely speaks.  The relationship shared by George and Peter is awkard-the two men love Stella- yet they show a maturity and understanding that is so beautiful. You don’t see this kind of acceptance either in life or on  screen. Kabir scores with his writing. 

The supporting actors playing Joseph’s friends deserve mention. So too the actresses- Athmiya, Madhuri Braganza and Malavika Mohan- playing the women in Joseph’s lives. They all prop up the story well.  

Another big strength is the  spectacular camera work by Manesh Madhavan. Right from the go, his frames are stunning. When we are introduced to Joseph, he is lying drunk in his chair caught between the streaming rays of the morning sun. A hungry cat mews persistently in the background but is not visible, you are left to your imagination. I loved that visual. Madhavan’s camera is intrinsic to the story, very much alive and following the characters totally. 

‘Joseph’ while bringing to light a medical scam leaves you feeling quite sad.